UPDATE: OLD-TIME DETECTION, Spring 2018

Added online link for T. S. Stribling's "Judge Lynch" (HERE; item 9).

"A Magnificent Symphony and a Magnificent Murder Are Equally Admired by the Populace"

HERE we have appearing in the same magazine issue a review of Sherlock Holmes's swan song (at least from his creator) and the disturbing links between music and homicide:

The Case Book of Sherlock Holmes.

By Arthur Conan Doyle (1859-1930).

London: John Murray, 1927. 7s. 6d.

"Books Abroad" in The Living Age, August 1, 1927 (HERE and below).

(A reprint of Gerald Gould's article in the Observer.)

  SIR ARTHUR CONAN DOYLE announces positively the last disappearance of Sherlock Holmes. How many moons have waxed and waned since Holmes fell over that precipice, with (I suppose) the words Moriarty te saluto on his ascetic lips? He has been a good goer and a good stayer, but I part from him less regretfully than from Watson. I have always held Watson to be greater than Holmes, just as I have always held Boswell to be greater than Johnson.

  I cannot feel free to criticize this new collection of stories. It is not now as it hath been of yore; but the change is just as likely to be in the reader as in the writer. The great detective does not seem quite the man he was — in the first story he does no detection, and commits only a very elementary burglary; and he is betrayed on the very first page as the last man who ought to have been entrusted with a confidential document, since he leaves it in his coat pocket while he has a Turkish bath!

  But probably it is we who are not the men we were; and certainly Sir Arthur has good grounds for the modest hope he expresses — that 'Sherlock and his Watson' may find a corner in the Valhalla of literary characters. Watson certainly will be wafted to bliss by police officers from Scotland Yard, all brainlessness and boots, with no ratiocinatory processes to reproach his sublunary infirmities. And if there is any boggling at the gate, Holmes will be there to smooth it over with the welcome and welcoming phrase, 'Elementary, my dear Watson!'

Resources:

- About James Boswell and Samuel Johnson: Wikipedia (HERE) and (HERE).

- In the same year this review appeared, Arthur Bartlett Maurice acknowledged Holmes's "passing" in The Bookman; see ONTOS (HERE). However, Gilbert Seldes, also writing at The Bookman, didn't hesitate to let us know what he thought of the book:

  "Sir Arthur is obviously weary of his detective and weary of writing; almost all the stories are pretty bad, largely because there is hardly a trace of detecting in them; something mysterious occurs and Holmes remembers an odd bit of information which explains it, or guesses something pretty obvious and it turns out right. One would suspect from the present book that Doyle has discovered the one way to rid himself of Holmes — by writing such stupid yarns that even editors would stop plaguing him for more. But you never can tell about editors." (ONTOS HERE.)

- Here is the FictionMags content list ("nv" = novelette; "ss" = short story):

  

The Case-Book of Sherlock Holmes by A. Conan Doyle (John Murray, June 16, 1927, 7/6d, 320pp, hc). Simultaneous with US (George H. Doran) edition.

  - Preface · A. Conan Doyle · pr 1927

  - "The Adventure of the Illustrious Client" [Sherlock Holmes] · A. Conan Doyle · nv Collier’s, November 8, 1924

 - "The Adventure of the Blanched Soldier" [Sherlock Holmes] · A. Conan Doyle · nv 

Liberty, October 16, 1926

 - "The Adventure of the Mazarin Stone" [Sherlock Holmes] · A. Conan Doyle · ss 

The Strand Magazine, October 1921

  - "The Adventure of the Three Gables" [Sherlock Holmes] · A. Conan Doyle · ss 

Liberty, September 18, 1926

 - "The Adventure of the Sussex Vampire" [Sherlock Holmes] · A. Conan Doyle · ss 

The Strand Magazine, January 1924

 - "The Adventure of the Three Garridebs" [Sherlock Holmes] · A. Conan Doyle · ss 

Collier’s, October 25, 1924

 - "The Problem of Thor Bridge" [Sherlock Holmes] · A. Conan Doyle · nv 

The Strand Magazine, February 1922 (+1)

 - "The Adventure of the Creeping Man" [Sherlock Holmes] · A. Conan Doyle · nv 

The Strand Magazine, March 1923

 - "The Adventure of the Lion’s Mane" [Sherlock Holmes] · A. Conan Doyle · nv 

Liberty, November 27, 1926

 - "The Adventure of the Veiled Lodger" [Sherlock Holmes] · A. Conan Doyle · ss 

Liberty, January 22, 1927

 - "The Adventure of Shoscombe Old Place" [Sherlock Holmes] · A. Conan Doyle · ss 

Liberty, March 5, 1927

 - "The Adventure of the Retired Colourman" [Sherlock Holmes] · A. Conan Doyle · ss 

Liberty, December 18, 1926.

Life, Letters, and the Arts: "Music and Murder."

The Living Age, August 1, 1927 (HERE and below).

  ERNEST NEWMAN, the most stimulating of all English musical critics, finds so much in common between the murderer Nathan Leopold and the musician Richard Wagner that he says, 'From music to murder is probably only a step.' The comparison was suggested by a book entitled World Famous Crimes, by F. A. Mackenzie, in which the author gives a thorough psychological analysis of the Leopold and Loeb case, showing how both young men, in different ways, exhibited the same abnormal mental traits that Mr. Newman declares exist in many artists. 'While yet a child,' says Mr. Mackenzie, 'Nathan F. Leopold began to strive to be the cold-blooded intellectualist.' It appears that he also 'wants to write a book or books, particularly his autobiography, because he thinks he is different from the others, and has led an unusual and most interesting life, and one that is worth recording.' With perhaps more reason, Wagner shared the same overweening egotism, and Mr. Newman feels that some of his remarks in Mein Leben would be the sort of thing Leopold might say.

  Krueger, the Stockholm humorist who blew up one of his friends by putting him in a taxicab and setting off a charge of dynamite with a time fuse under the back seat, might have been a jazz drummer. This man's personality 'conveyed the impression of hustling restlessness and nervousness' that, according to Mr. Newman, Wagner also revealed. In short, the whole thing boils down to the old question of genius and madness. The musician, like every other artist, is just as obnoxious to conventional society as the murderer. When we consider that this unpleasantness does not arise from his work, — for a magnificent symphony and a magnificent murder are equally admired by the populace, — but from his eccentricities, we find ourselves agreeing with Mr. Newman that music and murder are, indeed, sister arts.

Resources:

- About Ernest Newman: Wikipedia (HERE).

- About Leopold and Loeb: Wikipedia (HERE).

- About Wagner: Wikipedia (HERE) and Mein Leben (HERE).

Unless otherwise noted, all bibliographical data are derived from The FictionMags Index created by William G. Contento & edited by Phil Stephensen-Payne.

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Two More from '28

The Mystery of the Blue Train.

By Agatha Christie (1890-1976).

London: Collins, 1928. 7s. 6d. net.

Reviewed in The Living Age, June 1, 1928 (HERE and below).

Full review:

  Mrs. Agatha Christie knows that the familiar ingredients of mystery story will serve an author who can cunningly enough vary their mixture, and she is content, without straining at any fanciful significance, to engage our attention for her Blue Train tale by the old lure of the Heart of Fire ruby. The clues are many and well crossed to the crime of Ruth Kettering's murder, they lead us tantalizingly to and past good people and bad alike, and surprise us in the end with a properly unexpected villain. The result is still, another score for the intuitive method of the vain but likable Monsieur Poirot.

Resources:

- The GAD Wiki (HERE) - Wikipedia (HERE) and (WARNING! SPOILERS! HERE) - and the ISFDb (HERE).

The Metcalfe Mystery.

By (Horace William) Elliot Bailey (1887-1977).

London: Geoffrey Bles, 1928. 7s. 6d. net.

Reviewed in The Living Age, June 1, 1928 (HERE and below).

Full review:

  The Metcalfe Mystery, too, is a plain tale of villainy, frankly meant to pass an idle hour. For that reason we need not criticize impertinently the adoption of the popular novelist, Lance Wilmot, by Scotland Yard into the affair of the Bedford Row solicitor's disappearance. The amateur, it may be said, shows up foolishly beside the professional. Between them, however, they keep us hunting merrily along false trails until such time as the criminal is unearthed, and Brenda Metcalfe's love story crowned.

Resources:

- The Goodreads review is (HERE).

- 1928 produced some good books but also some clunkers. See ONTOS (HERE), (HERE), and (HERE).

Unless otherwise noted, all bibliographical data are derived from The FictionMags Index created by William G. Contento & edited by Phil Stephensen-Payne.

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UPDATE: Stories by Thomas Burke

Online links added (HERE) for EQMM reprints of:

 - "Roses Round the Door" (EQMM, 1946)

 - "The Hands of Mr. Ottermole" (EQMM, 1950)

 - "The New Hat" (EQMM, 1951)

 - "The Pariah" (EQMM, 1954).

UPDATE: "I Love to Follow a Detective When He Uses His Brains"

We've added 8 new links to the short bibliography of Rodrigues Ottolengui's Robert Leroy Mitchel/John Barnes short stories (HERE).

Gone but Not Forgotten

WE recently stumbled across a couple of obits for two of the writers that we've featured on ONTOS in the past, Arthur Porges and Frankie Thomas. This is from "David Langford's Ansible Link" in the August 2006 Interzone:

Here's a close-up (apologies for the fuzziness):

Among the Arthur Porges stories that we noted:

 - "A Small Favor" (HERE)

 - "Revenge" and "One Bad Habit" (HERE)

 - "Chain Smoker" (HERE)

- "The Cunning Cashier" (HERE)

- "No Killer Has Wings" (HERE) and "The Scientist and the Bagful of Water" (HERE).

Actor Frankie (Frank) Thomas became quite the Sherlock Holmes pasticheur in his latter days, producing a substantial number of titles (HERE).

Unless otherwise noted, all bibliographical data are derived from The FictionMags Index created by William G. Contento & edited by Phil Stephensen-Payne.

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"A MacDonald Duo" (Repost)

BACK in 2016 we posted about John D. MacDonald, who was much better writing about crime than spinning whodunits, but somehow the thing got lost in cyberspace. But never fear, we've been able to reconstruct most of it:

   John D. MacDonald (JDM) was, in his lifetime, a publishing institution who consistently turned out thriller fiction (especially that featuring Travis McGee) of the kind the reading public seemed to crave, selling nearly 500 short stories (in all genres) and dozens of novels, some of which were filmed. Below are two of his crime fiction shorts in their initial periodical manifestations.

(1) "Who's the Blonde?"

By John D. MacDonald (1916-86).

First appearance: Collier's Weekly, August 9, 1952.

Reprinted in EQMM, May 1957 and Ellery Queen's Anthology #56, Summer 1987.

Filmed for TV in 1955 (HERE).

Short short story (5 pages).

Online at UNZ (HERE) and The Luminist Archives (HERE; go to text page 18).

(Note: Some text smudged at UNZ.)

   "He was four thousand dollars short, and the cops had it figured out. They said he wrapped the bills and shoved them across the counter to the girl."

Bank teller Tom Weldon doesn't know it, but he's about to experience the worst day of his life.

Principal characters:

~ Tom Weldon, window three:

  "He had the crazy feeling that maybe he had been hypnotized somehow into thinking four thousand dollars were fifty ones."

~ Helen Weldon:

  "They say women aren't logical. That's the only other place it could go!"

~ Durand, senior police detective:

  "A stocky, nervous, bright-eyed man with thick white hands that were in constant motion, plucking at his suit, ruffling his hair, pulling at his ear lobes."

~ Harkness and Lutz, detectives:

  "They clumped heavily down the stairs. Tom heard one of them chuckle at something the other one said as they went out the front door."

~ Vic Reisher, the chief teller:

  "Vic ran his tapes, then straightened up slowly. His eyes were cool."

~ Judson Fergol, window two:

  "A thin-faced, quiet man about Tom's age, who handled money with an almost dazzling manual dexterity."

~ Arthur Maldrick, window four:

  "He was one of those big, plodding, ponderous young men who seem to have been born middle-aged."

~ Elvinard, the bank examiner:

  "There was no—ah—diversionary attempt."

In this one JDM crosses over into Woolrich's nightmare noir territory:

   It gave him a feeling of acute helplessness. You went along thinking that if somebody ever tried to persecute you, mess up your life, kick you around, you were a citizen and you could call the cops. Get a lawyer. Get an injunction or something. But who did you yell to when it was the forces of law and order sitting on your chest, making your wife cry, ruining your hopes and your chances and your future?

Of this tale Steve Scott writes:

   "Who's the Blonde?" was originally published in the August 9, 1952 issue of Collier's. Running 5,000 words, it's a typical John D MacDonald "howdunit," although this time we also have a rare MacDonald whodunit. And like every good whodunit, there are clues scattered in the early text that reveal the bad guy for anyone with a careful eye. It's a fun, interesting story, one where the "how" is more of a surprise than the "who," and one where MacDonald's typically-impeccable research shows up in lots of nice little details.

— Steve Scott, "Who's the Blonde?", The Trap of Solid Gold (WARNING! SPOILERS on that page—be sure to read the story first).

Speaking from his own personal experience, however, Scott also tells why, despite all of those brilliant details, the narrative isn't as realistic as JDM might have hoped.

~ ~ ~

(2) "Dead on Christmas Street."

By John D. MacDonald (1916-86).

First appearance: Collier's Weekly, December 20, 1952.

Reprinted in EQMM, January 1971.

Anthologized in Mystery for Christmas and Other Stories: From Ellery Queen's Mystery Magazine (1990), Murder Most Merry (2002), and The Big Book of Christmas Mysteries (2013).

Short short story (7 pages).

Online at UNZ HERE and The Luminist Archives (HERE; go to text page 6).

   "The big, brassy brunette was the cops' only witness. She hadn't jumped or fallen—and of course no suspect had given her a shove."

With a willing eyewitness to bolster his case, A.D.A. Daniel Fowler believes he has—or did have—enough to get a conviction; he summarizes what happened for his boss:

   "October. Five o'clock one afternoon, just as the loan office was closing. Three punks tried to knock it over. Two of them, Castrella and Kelly, are eighteen. The leader, Johnny Servius, is nineteen. Johnny is Vince Servius' kid brother.

   "They went into the loan company wearing masks and waving guns. The manager had more guts than sense. He was loading the safe. He saw them and slammed the door and spun the knob. They beat on him, but he convinced them it was a time lock, which it wasn't. They took fifteen dollars out of his pants, and four dollars off the girl behind the counter and took off.

   "Right across the hall is the office of an accountant named Thomas Kistner. He'd already left. His secretary, Loreen Garrity, was closing up the office. She had the door open a crack. She saw the three kids come out of the loan company, taking their masks off. Fortunately, they didn't see her. She went into headquarters and looked at the gallery and picked out Servius and Castrella. They were picked up. Kelly was with them, so they took him in, too. In the line-up, the Garrity girl made a positive identification of Servius and Castrella again. The manager thought he could recognize Kelly's voice.

   "Bail was set high, because we expected Vince Servius would get them out. Much to everybody's surprise, he's left them in there. The only thing he did was line up George Terrafierro to defend them, which makes it tough from our point of view, but not too tough—if we could put the Garrity girl on the stand. She was the type to make a good witness. Very positive sort of girl."

   "Was? Past tense?"

Principal characters:

~ Daniel Fowler:

   ". . . one of the young assistant district attorneys, was at his desk when the call came through from Lieutenant Shinn . . ."

~ Loreen Garrity:

   "She took a high dive out of her office window—about an hour ago. Seventeen stories, and right into the Christmas rush. How come she didn't land on somebody, we'll never know. Connie Wyant is handling it. He remembered she figured in the loan-company deal, and he told me. Look, Dan. She was a big girl, and she tried hard not to go out that window. She was shoved. That's how come Connie has it. Nice Christmas present for him."

~ Lieutenant Gil Shinn, of the Detective Squad:

   "Nice Christmas present for the lads who pushed over the loan company, too. Without her, there's no case."

~ Lieutenant Connie Wyant, someone you do not want to underestimate:

   "Me, I wish it was just somebody thought it would be nice to jump out a window. But she grabbed the casing so hard, she broke her fingernails down to the quick.

   "Marks you can see, in oak as hard as iron. Banged her head on the sill and left black hair on the rough edge of the casing. Lab matched it up. And one shoe up there, under the radiator."

~ Thomas Kistner:

   "As they opened the door, he glanced up quickly. He was a big, bloated man with an unhealthy grayish complexion and an important manner. He said, 'I was just telling the sergeant the tribulations of an accountant'."

~ Jane Raymer, the D.A.'s secretary and, to Dan, something more:

   "She was a small girl with wide, gray eyes, a mass of dark hair, a soft mouth. She raised one eyebrow and looked at him speculatively. 'I could be bribed, you know'."

~ Jim Heglon:

   ". . . the district attorney, was a narrow-faced man with glasses with heavy, dark frames. He had a professional look, a dry wit and a driving energy."

~ Vince Servius:

   ". . . a compact man with cropped, prematurely white hair, a sunlamp tan, and beautifully cut clothes. He had not been directly concerned with violence in many years. In that time he had eliminated most of the traces of the hoodlum. The over-all impression he gave was that of the up-and-coming clubman."

~ Paul Hilbert:

   "A burly, diffident young man came in. He wore khaki pants and a leather jacket. 'I'm a plumber, Officer. Central Plumbing, Incorporated'."

On his site dedicated to JDM (again, beware of SPOILERS) Steve Scott tells us:

   JDM was a self-declared agnostic, and I can only guess that Christmas wasn't a big deal in the MacDonald house. "Dead on Christmas Street" . . . really has little to do with the holiday. It's a straightforward tale of crime solving that happens to take place during the Christmas season, and I'm tempted to surmise that the setting was dictated by an editor, who may have wanted a Christmas theme for his December 20th issue . . .

   It's a well-crafted, enjoyable mystery story, but not necessarily one that's going to put you in the Christmas spirit.

Resources:

- By now you should know the drill: Wikipedia (HERE), the GAD Wiki (HERE), the SFE (HERE), the ISFDb (HERE), and the IMDb (HERE); in addition, there's much more about John D. MacDonald at The Thrilling Detective (HERE) and The Trap of Solid Gold tribute site (HERE).

The bottom line: "At this season of the year, more than ever, we must not deprive those we love. Or even those to whom we are married."

   — Henry Baker

Unless otherwise noted, all bibliographical data are derived from The FictionMags Index created by William G. Contento & edited by Phil Stephensen-Payne.

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