Saturday, September 23, 2017

"The Glorious Crumb of Carbon Is, Of Course, Priceless"

"The Theft of the Kôh-I-Noor."
By Allen Upward (1863-1926).
Serialized in 5 installments in To-Day, November 2-30, 1895.
Short story (16 pages, 10 illos total).

Online at Archive.org.
(Note: Text very faded; use "Zoom In" function to improve clarity.)


NO LESS an eminent personage than the Queen herself discovers the theft of a precious diamond stolen literally out from under her nose, and it falls to Mr. Verriter, a no less
eminent detective, to retrieve it.

Chapter I, November 2, 1895 (HERE) (4 pages, 2 illos): The Queen Makes a Discovery
   "This is not the Kôh-I-Noor! It is a paste imitation!"

Typo: "corriders"

Chapter II, November 9, 1895 (HERE) (3 pages, 2 illos): Sir Henry Ponsonby's Mistake
   ". . . for aught I know the Kôh-I-Noor may be in your pocket at this minute."

Chapter III, November 16, 1895 (HERE) (3 pages, 2 illos): The Clue of the Crumb of Steel
   "That is where the real difficulty of detective work generally lies, in eliciting little points which those who know them do not think important enough to be worth mentioning."
Chapter IV, November 23, 1895 (HERE) (3 pages, 2 illos): What Took Place in the Green Park
   "Will you oblige me by feeling in the left-hand pocket, just to see if it really is there?"
Chapter V, November 30, 1895 (HERE) (3 pages, 2 illos): Mr. Verriter's Reward
   ". . . I am afraid that a bribe of twenty or perhaps fifty thousand pounds would corrupt a good many ladies in even higher stations."
Resources:
- Our author, Allen Upward (who ended his life as a suicide, unfortunately), is credited with first using the word "scientology"; see Wikipedia (HERE) and The Modernist Journals
Project (HERE) for more.
- Like other Victorian authors, Upward wrote widely in many genres long before they were categorized, including what we now call science fiction; see the SFE (HERE) and the

ISFDb (HERE).
- To-Day magazine was founded and edited by Jerome K. Jerome of Three Men in a Boat

fame (HERE) until he was forced to turn it over to Barry Pain; the Online Books Page has
a list of available issues (HERE).

Thursday, September 21, 2017

"It Would Be Fairly Easy to Imitate One of Them"

"Puzzle in Yellow."
By Randall Garrett (1927-87).
First appearance: Amazing Stories, November 1956.
Reprinted in Amazing Stories, July 1969.
Short short short story (4 pages).
Online at SFFAudio (HERE) (PDF).
"The planet looked ripe for plucking."
Which is easier, breaking out or breaking in? Ghevil found out—the hard way . . .
Resource:
- It was just last month that we visited with ace pulpster Randall Garrett (HERE).

Saturday, September 16, 2017

OLD-TIME DETECTION, Summer 2017

(GIVE ME THAT) OLD-TIME DETECTION.
Summer 2017. Issue #45.
Editor: Arthur Vidro.
Old-Time Detection Special Interest Group of American Mensa, Ltd.
34 pages (including covers).
Cover image: C. Daly King's Obelists Fly High (1935).

   WE always look forward to the next issue of OLD-TIME DETECTION because not only is there always something about detective fiction in it that's new to us, but also older items
that allow us to indulge our weakness for nostalgia, and this issue is no exception.
   Between its covers you can find: Michael Grost's best picks of the forties and fifties; Dr. John Curran's latest about what's going on in the world of Agatha Christie, including a discussion of an awful film adaptation (1928) of a Harley Quin story; and Martin Edwards's take on his new book, The Story of Classic Crime in 100 Books.
   There's an Inspector Mallett short short short story by Cyril Hare that hasn't seen publica-tion for eight decades, enchanced with Tony Medawar's comments; Francis M. Nevins's take on The Leopard Man (1943), a significantly altered filmed version of a Cornell Woolrich novel; and J. Randolph Cox's substantial article about Robert Barnard (1936-2013).
   Finally there's Michael Dirda's review of a book about Fergus Hume's famous The Mystery of a Hansom Cab (1886), the one that, profit-wise, got away from him; Charles Shibuk's list of classic mysteries that deserve reprinting; and thoughtful reviews and commentary from Shibuk, Jon L. Breen, Trudi Harrov, Amnon Kabatchnik, and Arthur Vidro.

Note: We've included some links, indicated by (HERE), to other websites with related information.
========================================================================
(1) The Readers Write:
 ". . . this area of literature [mystery/detective fiction] where action and psychological analysis have replaced plot, mystery, and genuine detection."


(2) Best of Year, by Michael Grost:
 Mike's picks for the years 1949-1956.


(3) Christie Corner, by Dr. John Curran:
 "If you thought that the travestying of literary material was a relatively new phenomenon well . . . think again, as the film was an unrecognizable hodgepodge of nonsense, sacrificing the neatness of Christie's story to a melodramatic scenario of thwarted love, preposterous disguises, and absurd plot developments." — (HERE)

(4) The Paperback Revolution, by Charles Shibuk (1969):
 "The time is lazy, idyllic summer, and the problems are the minor matters of robbery and murder." — (HERE), (HERE), (HERE), (HERE), and (HERE).
(5) New Non-fiction:
 ~ The Story of Classic Crime in 100 Books, by Martin Edwards:
 ". . . takes the story of classic crime a step further, by exploring the way it changed over the course of fifty years. Along the way, I look at tropes such as 'the locked room mystery,' 'the country house mystery,' 'dying message clues,' and much else besides. I've not confined myself simply to rounding up the usual suspects." — (HERE)


(6) Thirty-Five Years Ago, by Jon L. Breen (1983):
 "Fortunately for their readers, many writers of mystery and detective fiction have had both long lives and long careers. Many of the masters of the twenties and the thirties continued

to produce new books into the seventies." — (HERE), (HERE), and (HERE).
(7) Fiction:
 ~ "The Return Visit," by Cyril Hare (1940, 4 pages):
 "There's nothing like a little well-directed publicity." — (HERE) and (HERE)


(8) Serendip's Detectives XVII: Mallett's Last Blow, by Tony Medawar:
 "Contrary to the stereotypes of the genre, at least in the Golden Age, [Inspector] Mallett is no fool. Though stolid and solid in appearance, he can fairly be described as one of the smartest police detectives in the whole of crime and mystery fiction." — (HERE)

(9) The Woolrich Films, Part Two, by Francis M. Nevins (1988):
 "The next Woolrich work [Black Alibi, 1942] to be adapted to the screen [as The Leopard Man, 1943] was assigned to a producer and a director whose genius for poetic terror rivaled Woolrich's own." — (HERE) and (HERE)
(10) Looking Backward, by Charles Shibuk (1973, 1977, 1978):
 ~ Murder in the Gilded Cage (1929):
 ". . . no towering edifice of brilliant detection, but it is a competent work . . ." — (HERE)

 ~ The Deadly Homecoming (1972):
 ". . . at its core it is a legitimate problem in deduction . . ."
 ~ He Arrived at Dusk (1933):
 ". . . holds up very well for its years." — (HERE) and (HERE).

 ~ A Matter of Nerves (1950):
 ". . . it's only fair." — (HERE) and (HERE)

(11) Big Feature:
 ~ Robert Barnard, by J. Randolph Cox (2003, 11 pages):
 "Barnard has been called a more sophisticated Agatha Christie; yet, unlike Christie's work, his novels are driven by characterization and satire rather than plot and, consequently, prove satisfying even when the detection itself is weak." — (HERE) and (HERE)

(12) Mega-Review:
 ~ Blockbuster! Fergus Hume and 'The Mystery of the Hansom Cab' (2015), reviewed by Michael Dirda (2016):
 ". . . in this engrossing study [author Lucy] Sussex is less concerned with the merits of Hansom Cab than with its creation, publication, and marketing." — (HERE) and (HERE)

(13) Mini-Reviews:
 ~ Partners in Crime (1929), reviewed by Trudi Harrov:
 ". . . the stories are more character-driven than most of the author's works." — (HERE) and (HERE)

 ~ A Bid for Fortune, or Dr. Nikola's Vendetta (1895), reviewed by Amnon Kabatchnik (1973):
 "His [Guy Boothby's] cornerstone contribution is the creation of Dr. Nikola, probably the first series arch-villain in literature." — (HERE), (HERE), and (HERE)
 ~ Calling All Suspects (1939), reviewed by Charles Shibuk:
 ". . . a fast, easy read . . ." — (HERE)
 ~ Someday the Rabbi Will Leave (1985), reviewed by Arthur Vidro:
 "Kemelman does his usual professional job of blending diverse personalities and interests with a lethal crime and letting the rabbi solve the case." — (HERE)
 ~ Obelists Fly High (1935), reviewed by Arthur Vidro:
 "Compared to the above-mentioned trio [of Christie, Carr, and Queen], [author C. Daly] King's output was slim; but his quality often gave them a run for their money." — (HERE)
and (HERE)
(14) Neglected but Recommended, by Charles Shibuk:
   ". . . these novels are of high merit and are worthy of reprint."

(15) This Issue's Puzzle:
   "Below is a frame from a movie . . . and yes, it ties into old-time detection."

~ ~ ~
Subscription information:
- Published three times a year: spring, summer, and autumn.
- Sample copy: $6.00 in U.S.; $10.00 anywhere else.
- One-year U.S.: $18.00 ($15.00 for Mensans).
- One-year overseas: $40.00 (or 20 pounds sterling or 25 euros).
- Payment: Checks payable to Arthur Vidro, or cash from any nation, or U.S. postage stamps.
Mailing address:
   Arthur Vidro, editor
   Old-Time Detection
   2 Ellery Street
   Claremont, New Hampshire 03743
Web address:
   oldtimedetection@netzero.net

========================================================================
Resource:
- Our last encounter with OLD-TIME DETECTION was (HERE).

Thursday, September 14, 2017

Still Here

JUST A QUICK NOTE to let our regular readers know we're still here, as it's been well over a week since we last posted. Uncertainty about the path of Hurricane Irma and other considera-tions have kept us pretty busy, but we should be back to abnormal soon. Thanks to all of you for sticking with us.

Tuesday, September 5, 2017

The Top 5 in July

Herewith is our belated Top 5 list for July 2017, as well as for most of the previous few years ONTOS has been around. The older the posting the more likely there won't be anything at the end of certain hot links that you'll see there, something we find as deplorable as you no doubt do, but that seems to be the nature of the Internet beast. Sic transit . . .

~ July 2017 ~
(1) Salmagundi—Number Two - (HERE)
(2) "It Was with Something of a Shock That I Found Myself Looking Directly Along the Barrel of a .45 Automatic Pistol" - (HERE)
(3) "It Is the Cleverest Criminal Who Always Makes the Most Striking Blunder" - (HERE)
(4) Miscellaneous Monday—Number Sixteen - (HERE)
(5) "It Is Surprising, Then, That a Scholar of This Type Should Stoop to the Lowly Murder Yarn" - (HERE)


~ July 2014 ~
(1) "These Stories Are, Altogether, More Amusing Than Intriguing" - (HERE)
(2) "Although This Is an Eccentric Book, It Has Plenty of Plus Points" - (HERE)
(3) "Scenery Is Delightful, Writing Good, Sleuth Clever, and Criminal Elusive" - (HERE)
(4) "It Is a Negligible Affair, a Chip in Porridge, an Eloquent Sermon on the Old Text" - (HERE)
(5) "Dogmatic Detectival Pronouncements, Half-wrong and Half-right" - (HERE)


~ July 2015 ~
(1) Two Dozen (Nearly) Detectives All in One Place - (HERE)
(2) SCRIBNER'S Reviews II - (HERE)
(3) "All He Could Say Was That He Hadn't Known Miss Bargain Was Like That" - (HERE)
(4) "Now, If You Attempt to Stop Him, I Swear Before God I'll Shoot You!" - (HERE)
(5) "It Was a Rainy Night, and I Heard a Fog-horn Out in the River" - (HERE)


~ July 2016 ~
(1) The Locked Room Mystery in the Mid-Twentieth Century (with One from the Twenty-first) - (HERE)
(2) "We Both Went Down Onto the Bare Boards of the Stage and Didi Cheri, Still Yelling, Jumped on Top of Both of Us" - (HERE)
(3) "This Here West Coast Publicks a Bunch a Crooks" - (HERE)
(4) "Why Do You Humans Prey on One Another, in This and So Many Other Phases of Life?" - (HERE)
(5) "As He Died—by Accident or Design—or Maybe Just That Bad Luck Which Works Against Every Murderer—He Branded You" - (HERE)

Friday, September 1, 2017

"I Saw It All in a Dream!"

"The Jewelled Dagger."
By E(dward) A. Morphy (1867-?).
First appearance: The Royal Magazine (1914).
Short short story (6 pages, 3 illos).
Online at Hathi Trust (HERE).

Peter Wayland has met the girl of his dreams—"for him at all events, this was the most beautiful creature the world ever saw." If only she hadn't stabbed that other guy . . .
Resources:
- FictionMags characterizes our author as follows: "Writer, editor of the San Francisco Argonaut. Born in Killarney, Ireland."


The bottom line: "Is this a dagger which I see before me?"
Macbeth

Tuesday, August 29, 2017

"There Is Little Art in Crime These Days"

JOSEPHINE UNDERWOOD MUNFORD seems to have been another one of those general fictioneers who dabbled in detective fiction, a genre that requires specialized skills if it's to be done well; unfortunately, Josephine didn't have them. Munford's characterization of her sleuthhound, Hurton Haverley, is fittingly canine: "like a great bloodhound following a scent," "with something akin to four-footed speed," "stopped short, sniffing." Our story, pleasingly concise, shows Haverley's detective skills to good advantage, but the solution is something of a letdown; you could consider "The Gold Beetle" as a near miss. (The FictionMags listing doesn't have this story, unless it was published elsewhere under another title.)

"The Gold Beetle."
By Josephine Underwood Munford (1885-1948).
First appearance: The Royal Magazine (1916).
Short short story (6 pages, 2 illos).
Online at Hathi Trust (HERE).
(Note: Text faded and smudged in places, and there are a couple of racial epithets.)

"The circumstantial evidence is great, but it is all malignant, diabolical coincidence."
   The distraught wife of a rich banker accused of murdering his pretty Eurasian secretary seeks the aid of Hurton Haverley, well-known detective. Going purely on the situational data, as usual, the police have arrested Edmund Cuthbertson after Kiku Kennedy is found slumped over her employer's desk, stabbed with a hunting-knife and wearing his dinner-jacket.
   Cuthbertson admits there was emotional warmth in his relationship with the victim, but it was all coming from her, and Mrs. Cuthbertson says she believes him. For our sleuth, how-ever, no one is above suspicion, and that includes the accused's wife.
   It'll take some snooping around, but detective Haverley will turn up the true significance of the new olive-green paint around the door facings and a peculiar nailprint therein, the posi-tion of the windows in the study and the street lights outside, the man with a triangular cicatrix on his left cheek, and especially that curiously-wrought ring with "an enormous gold beetle with fantastically carved wings" belonging to Kiku that was taken by Mrs. Cuthbertson from her husband's smoking-jacket just before the police arrived, another piece of circum-stantial evidence that the authorities would no doubt consider as one more nail in Cuthbert-son's coffin . . .


The bottom line: "Oblige me by taking away that knife. I can't look at the point of it. It reminds me of Roman history."
James Joyce