THE OTHER DAY we covered a story by Raymond Chandler (HERE), generally regarded as occupying the pinnacle of hardboiled crime fiction; Bill Pronzini notes:
"Chandler’s lean, tough, wisecracking style set the tone for all subsequent private-eye fiction, good and bad. He is certainly the most imitated writer in the genre, and next to Hemingway, perhaps the most imitated writer in the English language."
Certainly Michael Shayne, the Miami-based private eye, owed a lot to Chandler; another writer, not too shy about proferring his own imitation of Chandler as filtered through
Shayne, would be the pseudonymous author of . . .
"The Big Squawk."
By Thomas Thursday (pseudonym, born 1894?).
First appearance: Smashing Detective, July 1956.
Short short story (8 pages).
Online at Pulpgen (HERE).
(Parental caution: Mild profanity.)
"Like most practical jokers, Jack Kane didn’t appreciate a joke played on him—especially when it connected him with a killing."
Mark Twain, always one for a good joke, soberly wrote, "When grown-up persons indulge in practical jokes, the fact gauges them. They have lived narrow, obscure, and ignorant lives, and at full manhood they still retain and cherish a job-lot of left-over standards and ideals that would have been discarded with their boyhood if they had then moved out into the
world and a broader life." He could have been talking about Jack Kane . . .
Major characters (in no particular order):
~ Dan Hammerton:
". . . big shot gambler and bolita king . . ."
~ Pete Rundell:
". . . a quiet, efficient reporter—not the phony type you see in the movies, TV, or hear on the radio."
~ Jack Kane:
". . . was the opposite of Rundell, especially in character. Even among his fellow reporters he was as popular as arsenic on caviar."
~ Dick Tate:
". . . ace bellhop and ice-water carrier . . ."
~ Calbert Front:
". . . the desk clerk, a bizo named Calbert Front—appropriate name for a hotel clerk . . ."
~ Capt. Chester Eldredge:
". . . head of Homicide . . ."
~ Detectives Irv Whitman and George Spell:
". . . his aides . . ."
~ Frank Mullady:
". . . of the ID Bureau . . ."
~ Mabel McCoy:
". . . was one of the telephone operators at the Herald."
~ Mary McCracken:
". . . was toil-worn and wrinkles creased her forehead and hands."
~ "Silent Sam," a.k.a. "Clue No. 1":
"In the center was a big cage, and in it an aristocratic-looking parrot."
Comment: Didn't anybody think to examine the corpse?
- REFERENCES: "bolita king": Bolita is/was "a type of lottery which was popular in the latter 19th and early 20th centuries in Cuba and among Florida's working class Hispanic, Italian, and black population" (Wikipedia; HERE). "Beside the body was a .32 Colt": Probably meaning the automatic pistol described in (Wikipedia; HERE). "You take Marilyn Monroe": "a major popular culture icon" according to (Wikipedia; HERE). "The face of Kane went passed [sic] red and began to technicolor.": A film process that's been around a lot longer than we realized (Wikipedia; HERE). "Why, you know I wouldn’t take a C-note from you": A reference having nothing to do with music (Wikipedia; HERE). "If I was Eisenhower—": At the time, President of the U.S.-of-A. (Wikipedia; HERE). "I’ve had enough of this Jackie Gleason and Burns and Allen liverwurst, ladies and gentlemen.": Three of the most popular TV comedians of the '50s (Wikipedia; HERE and HERE).
- According to FictionMags, dozens of stories attributed to "Thomas Thursday" appeared in various slicks and then pulps starting in 1918 and running all the way to 1959, some of them in the sports and Western genres, with the majority being crime fiction; his only series character was Chief Howard, featured in just three stories for Famous Detective and Smashing Detective, but he's not in today's narrative.
- See Bill Pronzini's article about Raymond Chandler's novel The Big Sleep (1939) on the Mystery*File weblog (HERE) and Kevin Burton Smith's comprehensive article at The New Thrilling Detective Web Site about Michael Shayne (HERE).
HERE and Goodreads HERE; and the 1958 TV episode: IMDb HERE).
The bottom line:
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